Artist on the Edge: Luisa Calcano

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Luisa Calcano “Compulsion (Part I)” (2017), Acrylic and fine point pen on Indian handmade paper, 8.5x11in.

1. Tell me about your process as an artist.

The first step of my process, I have an idea and develop it into a concept through brainstorming and thinking. Next, I practice techniques and skills on a surface. GradShotThis could mean I’m playing around with color combinations using inks, or scribbling in various pens or even testing brushes on scraps of paper or canvas. Once I have practiced, I begin working. I don’t like to work using easels, so I simply lay my paper, canvas or panel flat on floor or table and work. As I’m working, my concept may change and that is perfectly fine. Often times, my work will come out completely different from what I had planned in my mind. If I begin to get frustrated, I will take a break and work on something else. My works of art are never truly finished, and often times I will return to a piece that I had worked on previously.

My process fluctuates between fluid and controlled. I feel as though I have a balance of both

2. Describe your artistic practice in three words.

My artistic practice can be described as therapeutic, fluid, and abstract.

3. Why do you make art?

I make art for several reasons. First, the physical act of making Art for me is at times relaxing and often a way to de-stress. Secondly, art is a way for me to organize my thoughts, or ideas and express them visually.

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Luisa Calcano “Guns Blazing” (2017), Acrylic ink, and fine point pen on Indian handmade paper, 8.5×11 in.

Like many others, I struggle to explain myself verbally at times and art allows for me to say what I need to say without having to actually say it. Lastly, I make art to stir up conversation. My art allows for an open dialogue between the viewer, myself and the work. I am very open to conversations about my work with anyone.

4. Where do you create art?

I feel most comfortable creating art where I can be alone. If I happen to find myself working around people, to give the illusion that I am alone I will play music as I work.

5. What does it mean to be an artist in the Bronx?

Being an artist in the Bronx and from the Bronx means being a part of the many creative communities here in New York. I feel very honored, and proud to be a practicing artist from the Bronx.

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Luisa Calcano “Pure Thought” (2017), Acrylic ink, and fine point pen on Indian handmade paper, 8.5 x 11 in.

6. How can people get in touch with you and see more of your works?

People are more likely to get in touch with me and see more of my work through my email (Luisacalcano23@gmail.com), my instagram account (@marialuisaart).

7. Who is your greatest inspiration?

My inspiration for the work I do stems from my personal experiences, observations, and books that I have read. However, my greatest inspirations are people such my mentors, family, friends and significant other.

Volta NY 2015

This past week was a huge and insanely busy weekend in the art world. One of my favorite stops was at Volta NY 2015 and wanted to share some of what I saw in the booths:

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Rudy Shepherd “Portraits” 2007-2015 Watercolor on paper Each 12 x 9 Mixed Greens, New York. Photo by Erin K. Hylton

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Dustin Yellin Glass, acrylic and collage Richard Heller Gallery, Los Angeles. Photo by Erin K. Hylton

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Dustin Yellin Glass, acrylic and collage Richard Heller Gallery, Los Angeles. Photo by Erin K. Hylton

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Dustin Yellin. detal. Glass, acrylic and collage Richard Heller Gallery, Los Angeles. Photo by Erin K. Hylton

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Dustin Yellin Glass, acrylic and collage Richard Heller Gallery, Los Angeles. Photo by Erin K. Hylton

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Travis Somerville “Well Division” 2009 Acrylic on vintage porcelain drinking fountains and panels, automotive paint on metal drinking fountain, copper pipes, running water Beta Pictoris/Maus Contemporary, Birmingham, Alabama. Photo by Erin K. Hylton

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Detail of the Black water fountain from: Travis Somerville “Well Division” 2009 Acrylic on vintage porcelain drinking fountains and panels, automotive paint on metal drinking fountain, copper pipes, running water Beta Pictoris/Maus Contemporary, Birmingham, Alabama. Photo by Erin K. Hylton

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Detail of the Latino water fountain from: Travis Somerville “Well Division” 2009 Acrylic on vintage porcelain drinking fountains and panels, automotive paint on metal drinking fountain, copper pipes, running water Beta Pictoris/Maus Contemporary, Birmingham, Alabama. Photo by Erin K. Hylton

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Detail of the Native American water fountain from: Travis Somerville “Well Division” 2009 Acrylic on vintage porcelain drinking fountains and panels, automotive paint on metal drinking fountain, copper pipes, running water Beta Pictoris/Maus Contemporary, Birmingham, Alabama. Photo by Erin K. Hylton

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We Are All Imperfect (www.imperfectarticles.com) Trenton Doyle Hancock at Volta NY. Photo by Erin K. Hylton

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Peterson Kamwathi “Untitled (Positions Series Part II, VII) Signed titled and dated 2015 on the reverse Charcoal, stencil, pastel, spray paint, watercolor, ink and collage on paper. Executed in 2015. ARTLabAfrica, Nairobi. Photo by Erin K. Hylton

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Peterson Kamwathi “Untitled (Positions Series Part II, IX) Signed titled and dated 2015 on the reverse Charcoal, stencil, pastel, spray paint, watercolor, ink and collage on paper. Executed in 2015. ARTLabAfrica, Nairobi. Photo by Erin K. Hylton

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Yashua Klos killing it at #Volta2015. Photo by Erin K. Hylton

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Yashua Klos. Photo by Erin K. Hylton

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Kenyatta Hinkle. Jenkins Johnson Gallery, San Francisco/New York. Photo by Erin K. Hylton

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Kenyatta Hinkle. Jenkins Johnson Gallery, San Francisco/New York. Photo by Erin K. Hylton

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Kenyatta Hinkle. Jenkins Johnson Gallery, San Francisco/New York. Photo by Erin K. Hylton

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Kenyatta Hinkle. Jenkins Johnson Gallery, San Francisco/New York. Photo by Erin K. Hylton

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Kenyatta Hinkle. Jenkins Johnson Gallery, San Francisco/New York. Photo by Erin K. Hylton

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Kenyatta Hinkle “The Transfiguration” 2015 gouache, India ink and acrylic on wood panel. Jenkins Johnson Gallery, San Francisco/New York. Photo by Erin K. Hylton

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Kenyatta Hinkle “The Seer” 2015 India ink, polyfilm, acrylic paint on wood panel. Jenkins Johnson Gallery, San Francisco/New York. Photo by Erin K. Hylton

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Kenyatta Hinkle “The Sower” 2015 India ink, acrylic paint and polyfilm on wood panel. Jenkins Johnson Gallery, San Francisco/New York. Photo by Erin K. Hylton

 

Art on Paper

March 5-8, 2015, Pier 36

The first weekend of March welcomes a new art fair in lower Manhattan!

art on paper launches Thursday, March 5 on NYC’s Pier 36 with modern and contemporary art by 55 exhibitors from around the world. The medium focused fair will feature paper-driven sculpture, installation, drawing, painting, and photography. In addition to the art work there will be food and drinks by the city’s best restaurants and a programming schedule of entertainment, presentations, talks, and tours. It will certainly be a dynamic destination this weekend!